Merry Christmas and a Happy New Sphere (Part 2)

2 Jan

Centuries before Adrià started producing liquid olives and apple caviar, pastry chefs were already engaging in a different kind of spherification – the magical creation of profiteroles out of pâte à choux. As a special Boxing Day dessert, I made profiteroles using two of my favorite Christmas gifts, a Kenwood Triblade and Pastry by Michel Roux.

To the standard crème pâtissière I added a splash of Cointreau and a big pinch of allspice to make the filling more Christmasy. In my midwestern mind, the flavor instantly evoked a memory of pumpkin pie, an unexpected but delightful association brought on by the unique aroma of the spice combined with a thick, creamy texture.

Profiteroles are simple, but there’s definitely something uncommonly exciting about them. I like the way they mushroom up out of little blobs to become beautiful and delicate puffballs. I like the way they conceal their filling like a naughty secret. And I love the way their fragile crunch gives way to a flood of cool, sweet, intoxicating cream. Of course I will always love and look forward to the British Christmas staples of mince pies, trifle, Christmas cake and Christmas pudding. But even after all the old standbys have been sampled, who doesn’t have room left for just one little profiterole?

Tomorrow: we have nothing to sphere but sphere itself.

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Merry Christmas and a Happy New Sphere (Part 1)

1 Jan

Amateur molecular gastronomists like me often seem to start their self-education with the same introductory lesson: spherification. The process was developed by Spanish culinary demigod Ferran Adrià, and his creations based on the technique have become international emblems of progressive cuisine; olive caviar, pasta-free ravioli, and eggs that look like eggs but taste like (wow!) truffle and asparagus are among the many marvels of spherification. The technique yields food that has a certain ooh-ahh visual impact, a lovely burst of pure flavor, and at its best, a “how did he do that?” sense of wonder to it. Spherification is actually pretty easy once you work out the dos and don’ts, and the ingredients you need – sodium alginate and calcium chloride – are available and affordable on the internet. It is probably the combination of accessibility and impact that make spherifcation a popular starting point for forays into culinary chemical arts.

Although it is well-known by the small (but growing) community of progressive chefs and gastro geeks, spherification isn’t really known or practiced much in common home cookery. Which is why I was surprised, and also delighted and slightly angered, to discover that the fish roe I used to garnish my Christmas canapés wasn’t actual roe at all but liquidized fish that had been spherified! Our suspicions arose when we noticed the flavor wasn’t quite right – not bad, just less salty and sweet and more smoky and meaty than roe usually is. And sure enough, the ingredients confirmed that we were actually eating a puree of smoked herring, dyed black and made into little balls with sodium alginate. And I got this at Sainsbury’s for four pounds – spherification for the masses! I was excited to find that this little nugget of avant garde cooking had found its way into the mainstream, but I also felt tricked. I thought I was buying roe! That’ll learn me to not read the label (I should have at least noticed the alarming description “reformed herring product).

But I actually liked the fake roe, and some of us actually preferred it to the real thing (typically I just get lumpfish roe, which isn’t great anyway). The smokiness in particular matched the smoked salmon nicely, and it seemed to give the dish a big boost of umami. There is something circuitous about using spherification to make fake roe (why not just use real roe?), but even so I think it was a clever application of the technique, and it made me wonder what else might work in a spherified form. Can you imagine pancetta caviar, maybe on a grilled oyster or scallop? Or melon caviar on Iberico ham? Soy sauce caviar on sushi? Yum yum.

Of course, there is a dangerous element to spherification, and that element is surprise. Half the fun of spherification in its basic form is expecting one thing and getting something else – but therein lies a potential risk as well. An exclamation such as “It’s not caviar after all, it’s licorice!” could be uttered with delight just as easily as it could be uttered with disgust. Heston Blumenthal writes in The Fat Duck Cookbook:

I was in Kyoto to make a presentation on umami at a food workshop. For breakfast one morning our hosts took us to a temple… waiters brought out bowls of rice that had been cooked in dashi until it had broken down. Resting on top of this was a small pool of dashi reduction that had been thickened with starch. It looked exactly like a bowl of porridge with a blob of honey or golden syrup in the middle. I’d had this before and knew what to expect… some of the others weren’t so lucky. They expected one thing and got another, and the barely concealed grimace on their faces suggested that only respect for our hosts was keeping them from spitting it out there and then.

I imagine the surprise of spherification, is pleasant only when the diner expects a surprise, but doesn’t know what that surprise will be. And that comes down to reputation, service, and atmosphere. Guests at The Fat Duck or El Bulli (or Noma or The French Laundry or Ryugin) must know that they’re in for some surprises, and that things may not be what they seem. It’s a risky game to play, but chefs that can make the element of surprise work in their favor introduce an extra layer of excitement and emotion to their cooking. And to me, it can turn a great meal into a thrilling event, and ultimately a treasured memory.

Tomorrow: our love is sphere to stay.

Moules, Frites, and the Problematics of Authenticity: Thoughts Provoked by Belgo’s Bad Beef

22 Dec

It was more than two years ago when I first ate at Belgo, the London mini-chain of restaurants specializing in Belgian beer and what could at least superficially be identified as Belgian food. I went to the flagship Covent Garden branch, and I was enamored. The atmosphere was boisterous but not too loud, with the warm, chattery feel of a good pub or even a night market. The mussels came in a big bucket, shiny and impressive enough to hold a bottle of champagne, steaming with an herbal, winey fragrance; they were cooked just right, plump and juicy and full of marine flavor, not listless and rubbery as they too often are. The fries were also nice, brittle and crunchy on the outside and fluffy on the inside, served with a smooth, tangy mayo, and I especially enjoyed a hearty starter salad of shredded duck, duck eggs, bacon, apples, and black pudding. The beer list, though somewhat predictable, was populated with enough Belgian classics to make me smile (the inclusion of Orval alone is practically sufficient to make a beer menu stand out).

It was two days ago when I finally returned to Belgo, and this time the only thing I truly enjoyed was the Rochefort 8 and the Delirium Nocturnum (served in proper glassware – nice). Maybe it’s because I went to a different branch. Maybe it was a mistake to order anything but the mussels. Maybe my tastes have changed. Or maybe the restaurant has simply gone downhill (I’ve read this is the case). It’s probably some combination of all of these factors. But it was an unjustifiably terrible meal, the kind that filled me with remorse as I looked back on it the morning after.

A “seasonal starter” of butternut squash and cumin soup tasted more of carrots than squash, and not even subtly of cumin, and the pumpkin seeds used as a garnish had been roasted either incompetently or not at all, leaving them chewy instead of crunchy. It had been poorly blended and strained, so there were little bits of tough bay leaf and celery fiber scattered throughout; but then again, these little tidbits of texture were all that prevented the soup from being actual baby food, so maybe they were in there on purpose. A disappointment, but I still had hope for the mains. This proved foolish. The rotisserie chicken with leek and mustard sauce was itself tender and moist, but it looked and tasted like it had been accidentally tipped into a vat of pure heavy cream. The obligatory fries were the highlight of the meal (except for the beer), but even they were a bit sad, inconsistently crispy and marred by staleness. To add insult to injury, even the mayo was gross, unusually gellified and firm.

It’s rare for me not to finish a plate of food at a restaurant. I don’t have a lot of money, so it seems like a waste. But even so, I felt no inclination to finish my bowl of beef carbonade à la flamande, and I gave up halfway through. According to the menu, the beef was stewed in gueuze, a kind of wild Belgian beer with a strong, tart, farmy sourdough character, but none of this flavor came through in the dish. The beef itself was dry and flaky, having lost most of its moisture in a braise that was either too short, too long, or too hot, and the dish was topped with some mushy onions and a trio of brown but essentially uncooked apple slices. The most exciting element of the dish were the whole prunes dotted here and there, which added much-needed elements of acidity and richness.

What’s really vexing about this dish is that it was my first time to try carbonade, and I was excited about it. As I understand it, it is both a classic Belgian dish and a classic beer-based recipe, which are fairly rare among London restaurants. It was disappointing not just because it was bad, but because I was looking forward to tasting something new, unique, and authentic. It failed on all counts to meet my expectations.

Of course, for all I know, the dish was authentic. Maybe those weird apples and that stringy beef are exactly how you’d get it in Brussels (maybe it isn’t even eaten in Brussels). I have always thought that authenticity is overrated, unimportant, and often meaningless, except for in the sense that certain dishes that are made according to the standards of their original form often taste better. For example, I find it endlessly and irrationally irksome to be served a bowl of ramen garnished with snow peas. This seems to be common practice in ramen shops outside Japan, but I hate it, and it’s not because it necessarily tastes bad – it just seems wrong and out of place. It’s like a big green flag announcing that the ramen won’t be as good as what I had back in Kyushu.

But to even discuss the authenticity of ramen, or carbonade, is problematic. Ramen, after all, could be considered an inauthentic spinoff from the noodle soups of Canton or Shanghai, a sort of Japanized Chinese food. Besides, ramen itself is diverse and complex; it has been said that no two bowls of ramen are alike, so who’s to say that snow peas aren’t a legitimate topping? When I was doing research at the Shinyokohama Ramen Museum, the curator told me that one reason ramen has become so popular is because the Japanese have felt free to experiment with it and change it over time; it isn’t made within the confines of a Japanese tradition (as soba and udon are), so variation and creative license are hallmarks of ramen culture rather than exceptions to it.

Flippant riffing on authenticity and tradition can be a wonderful thing. It has given us Hakata ramen, the California roll, the black IPA, and Paco Roncero’s “21st Century Tortilla,” to name a few. But it seems to me that to be successfully inauthentic, there must be good ideas or reasons behind fixing what ain’t broke. Introducing new ingredients to a dish or changing how they’re cooked only works if it’s a purposeful improvement – otherwise it will just seem lazy, inept, or ignorant. Adding snow peas to ramen may seem like a minor fault, but it does nothing to enhance the dish and thereby only seems unfamiliar and intrusive. By contrast, adding tomatoes and garlic bread to ramen may seem bizarre, unnecessary, and certainly inauthentic, but more than one Kyushu ramen shop is doing it, and it’s remarkably delicious. That’s because it’s premeditated and practiced; tossing tomatoes witlessly into any old bowl of noodles would not likely yield such successful results.

The carbonade issue is probably less a question of authenticity and more a question of culinary skill. But what if Belgo’s version is not only “correct” in terms of its ingredients and method, but also tastes just how it does in typical Flemish homes and restaurants? In that case, then I might conclude that I simply don’t like carbonade. But of course this is silly. One could hardly argue that McDonald’s makes “inauthentic” American cheeseburgers – in fact they probably set the standard, if such a thing exists – but I would beg you to reconsider if you told me you didn’t like cheeseburgers, having only tasted McDonald’s perfectly accurate and popular rendition of them. There are great burgers to be had, even though the majority of them are bad or boring; I imagine the same may be true of carbonade. It is certainly true of ramen, pizza, and beer, and you would be a hopeless fool to spurn any of those.

I suppose that when dealing with foods that are expected to match a sort of culturally recognized Platonic ideal (i.e. “traditional” foods), I would hope that restaurateurs do try to reproduce that ideal to the best of their ability, and only deviate from it in attempts to improve upon it, or to create an entirely new dish based on it. But as diners we should equally understand that good food and authentic food aren’t  the same thing. Regardless of whether or not Belgo’s carbonade is authentic, I wouldn’t say I dislike carbonade based on my experience with that dish, and I probably wouldn’t say I dislike carbonade even if I went to Bruges, ate it there, and once again didn’t like it. We should reserve judgment on any given food not until we’ve had the real deal, but until we’ve had a good version of the real deal. Never give up on food until you absolutely have to.

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Wonderful Words I Learned in 2010

18 Dec

That I hope to remember for the rest of my life.

  1. sodium alginate
  2. transglutaminase
  3. Valsalva maneuver
  4. black IPA
  5. beefy meaty peptide

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Horrible Words I Learned In 2010

16 Dec

That I hope to forget as quickly as possible in 2011:

  1. vajazzling
  2. vuvuzela
  3. Eyjafjallajökull
  4. squeakquel
  5. Cleggeron

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And We’re Back

15 Dec

I know. I’m sorry. It has been so long since my last post that I don’t blame you if you’ve moved on. It’s understandable if you’ve found someone new – a younger, sexier Danish beer/Japanese food/British pub blog that cooks and cleans and isn’t afraid to commit.

But still – remember what we once had? Maybe we can reignite that old flame… I’m still happy to be your blogger if you say you’ll be my bloggee. Please say you’re my bloggee.

From now on, things are going to be different – starting with the URL. Yes, it seems I am no longer master of my domain – iamaviking.com is kaput, but out of its ashes iamaviking.wordpress.com has risen like a Phoenix! Please update your bookmarks accordingly. And stay tuned – I’m off the blogoholic wagon and I’m going on a bender!

 

 

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Carlsberg Is Good In Chili But Not With It

9 Dec

Chili is quite interesting. Like pizza, ramen, or hot dogs, it is a traditional food in the sense that it has been eaten for generations and can be passed down like folklore, but it is also non-traditional in that it needn’t imitate some pseudohistorical, platonic ideal. And yet everybody seems to have an idea of how chili should be made, in a way that goes beyond personal preference. Kind of like barbecue, people often maintain that there is a correct way to make chili, and all variations are either wrong, alien, or not chili at all. I think the most contentious single ingredient in chili are beans. The mantra of chili purists is “If you know beans about chili, you know chili ain’t got no beans.” But I know beans about chili, and I can hardly imagine chili without them.

I can also hardly imagine chili without beer, which adds a wonderfully deep, rib-sticking barley sweetness and light hop spice to chili as it cooks off. I first made chili with beer a few years ago using a brilliant recipe from Allagash Brewing in Maine. It calls for Allagash Tripel, a strong Belgian pale ale, but actually the recipe works with almost any kind of beer, so long as it isn’t excessively bitter – a smoked beer, I imagine, would probably be delicious.

When I remade the recipe the other night, I had nothing but expensive/rare/special beer in the house, which frankly would have been a waste to use in chili. So I went to the store and bought some Carlsberg. Carlsberg is a fine beer, not great or even particularly good, but it’s perfect for cooking because its hops are fairly restrained while its malts are savory, grainy, and sweet. Plus there aren’t really any nice nuances that would go to waste in something as dense and robust as chili. To use something like, say, Den Udødelige Hest would probably taste quite nice, but all of its subtleties of dates and port and mocha would be muffled under the sandbags of spices that go into any good chili. (My spice blend, by the way, is top secret. So don’t expect a recipe!)

I used about two-thirds of a Carlsberg in the food, which reduced nicely into a thick, malty mortar to bind together all the beans, meat, and spices. I had the rest of the Carlsberg with my meal – and it wasn’t quite right. I was reminded of why I don’t particularly like mass-produced pilsners with Indian curries – while they do act as nice palate-cleansers to help clear all that ghee off the palate, somehow they seem to abrupt, too cutting, and yet so inconsequential. It was the same pitting Carlsberg against Carlsberg chili – it helped to wash down what was a very rich stew, but it didn’t do anything in terms of flavor. I may as well have been drinking club soda.

Next time, I will try it with something just as crisp and effervescent, but with a stronger malt flavor – possibly a dark German lager or an American pale ale.

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